general requirements create an ultra photorealistic high end architectural visualization of a hotel breakfast restaurant lobby bar based on the attached reference view preserve exactly the existing functional layout camera position perspective proportions and the arrangement of tables chairs the bar shelving buffet area wooden slat partitions self check in area and all main interior elements do not change the composition or geometry of the space the visualization should represent an elegant cosy and natural hotel interior highly realistic professional and free from an artificial cgi appearance maintain the atmosphere of light subtly warm timber muted greens anthracite and black technical accents warm beige grey materials natural plants and subtle decorative details the light natural oak should have a subtly warm neutral light tone the timber should look soft natural and premium with realistic calm grain without yellow orange or honey undertones the lighting should subtly enhance the warmth and texture of the timber foreground joinery shelving door and flooring in the foreground preserve exactly the existing joinery on the left hand side including its height width divisions and location finish the lower solid elements and shelves in light natural oak with a subtly warm tone in a matte or very subtle satin finish keep the open shelves exactly as shown in the model finish the thin vertical structural elements in black metal with a matte or very subtle satin finish preserve the existing books plants planters and decorative objects accessories should remain restrained and elegant mainly stone vases and planters in black cream and neutral tones keep the door visible on the right exactly in its existing geometry location and proportions finish the door leaf in the same light subtly warm oak keep the handles and ironmongery black the walls should be very dark in a deep graphite tone close to black but slightly lighter than pure black use a matte or very subtle satin finish with a delicate painted surface texture finish the floor with large format tiles in a light warm beige grey tone with noticeably more beige than grey the surface should be smooth calm and relatively uniform with only a very subtle texture and a low sheen avoid strong stone like patterning cloudy transitions stains discolouration or brightened corners and edges the tiles should look clean and elegant the grout should be grey slightly darker than the tile even and subtle second plane central column bar chairs and buffet side joinery on the second plane preserve the central column exactly in its existing location geometry and proportions finish it with small vertically arranged rectangular ceramic brick format tiles the tiles should have a muted light forest green tone with a very subtle olive grey undertone but should still read clearly as green they must not be mint turquoise strongly grey or dark fir green the surface should have a distinctly ceramic slightly handcrafted character each tile should be gently convex subtly pillowed with softly rounded edges and very slight surface irregularity the tiles should have a delicate satin sheen that softly catches the light and enhances their slightly uneven surface but must not look glassy mirror like or heavily glazed do not add any led lighting around the column along its edges or at its base keep the bar exactly in its existing geometry height curve and location finish the bar front with vertical slats in light natural oak with a subtly warm tone use very dark almost black laminate between the slats the bar plinth should be dark graphite visually solid matte or very subtly satin it must not look plastic or overly glossy finish the bar countertop in a dark graphite material with very delicate fine veining in a satin or honed finish do not use strong white veins or a high gloss finish keep the brown high chairs exactly in their existing number location and proportions the upholstery should have a warm cognac brown tone with subtle natural grain and a semi matte finish keep the green chairs in a deep muted forest green tone with soft elegant upholstery and a black metal frame keep the pendant lights above the bar exactly in their existing number location height shape and proportions they should clearly be made of brushed satin gold metal with a soft and elegant sheen they must not appear white cream beige glass like or plastic preserve the joinery partition next to the buffet area exactly as shown in the model the upper section should be made of black perforated metal mesh with a refined architectural character and clearly visible perforation the lower section should be made of vertically fluted glass with a fine regular vertical ribbed texture the glass should be gently translucent subtly distort the view through it and softly react to light but must not be mirror like or highly glossy third plane back bar area passage and background on the third plane preserve exactly all back bar joinery visible behind the counter the walls and background should remain very dark graphite with black technical details keep the existing shelves coffee machine bottles glassware bar equipment and small timber fronts exactly in their current positions behind these shelves keep the black tile finish exactly as shown preserving its shapes and proportions all timber elements in this area should be finished in the same light natural oak with a subtly warm neutral tone the timber must not become too yellow or orange do not increase the amount of equipment or decorative objects elements in the background should remain realistic but visually calmer and slightly less contrasted than the first and second planes preserve the doors and glazing leading to the further restaurant area exactly in their existing locations dimensions and proportions behind the glazing show a realistic continuation of the hotel or restaurant interior with subtle furniture and details the background should be slightly brighter and more readable while still remaining natural and maintaining the cosy atmosphere where exterior glazing is visible show a realistic urban background do not leave the windows empty or completely white through the glazing there may be subtle neighbouring fa ades pavement a street discreet cars and a small amount of greenery the background should look realistic but remain visually secondary ceiling preserve exactly the existing ceiling geometry modules divisions positions of light fixtures diffusers ventilation grilles detectors and all other technical elements finish the ceiling in a softened white tone with a very subtle beige undertone the modular suspended ceiling panels should be in a muted warm white with a very subtle beige grey undertone the ceiling should still read as white but should not feel cold clinical or snow white the tile surface should have a realistic very subtle acoustic texture the dark ceiling trims lowered ceiling fascias perimeter bands and visible vertical faces of lowered ceiling sections should be in a very dark colour close to black but slightly lighter a soft anthracite black tone use a matte or satin finish deep and elegant without excessive gloss ventilation grilles diffusers and other technical elements must not be illuminated do not add any glow or led lighting around them add a subtle concealed linear led only beneath the ceiling trim in the zone by the glazing window next to the bar exactly as intended in the design do not continue this lighting around the whole ceiling or around the columns the led source should be fully concealed and create only a thin very subtle line of indirect light at approximately 3000 k lighting and atmosphere the lighting should be natural soft daylight balanced and carefully controlled like on a bright day around 1 00 pm the main source of light should be diffused daylight entering primarily through the glazing on the right hand side the daylight should be clearly perceptible inside the space but must not feel harsh or create dramatic patches of direct sunlight the daylight should subtly enhance the light gently warm tone of the natural timber its texture and its grain the timber should look warm natural and premium but without any yellow or orange cast avoid overexposure blown out windows excessive contrast and long dramatic shadows shadows should be short soft realistic and diffused the overall image should have a slightly subdued elegant exposure with natural midtones do not brighten the entire scene into sterile white but also avoid a grey gloomy or underexposed appearance the background far end of the interior should be slightly brighter and more readable helping to create natural depth do not switch on all interior light sources technical lighting should remain subtle and realistic the recessed fixtures in the modular suspended ceiling may be switched on but they should provide soft discreet light that only complements the daylight the decorative gold pendant lights above the bar may glow gently as a warm accent but the light must not make their metallic gold finish appear white or overexposed artificial lighting should only complement the daylight not dominate the scene maintain a natural white balance and a subtly warm welcoming hotel atmosphere the final image should resemble professional high end hotel interior photography realistic elegant naturally illuminated and free from an artificial cgi appearance preserve exactly the architecture geometry framing perspective and location of all elements do not redesign the space add random lighting or introduce new decorative elements
