style base photorealistic architectural interior rendering natural daylight streaming in from floor to ceiling windows with a visible outdoor landscape beyond soft ambient occlusion 8k resolution ray traced reflections shot on full frame camera 24mm lens eye level perspective matching the attached reference image exactly wall plane entire wall is one flat surface no exceptions the whole back wall from the left pass through opening across the flat painted section across the fireplace tile area across the flat painted section again all the way to and through the window opening on the right sits on a single continuous flat plane with zero change in depth anywhere along its length this applies to the window too the window is punched directly into this same flat wall with the glass and black frame sitting in the same plane as the surrounding drywall the wall does not step forward bump out or project around the window opening there is no jog no return no recessed or projecting frame surround no popped out corner anywhere on this wall if you traced the top of the wall where it meets the ceiling from the far left to the far right of the frame it would be one perfectly straight unbroken horizontal line with no forward or backward kinks at the fireplace or at the window the tile surround is a flat finish on this plane no projection and the window is a flat opening in this plane no projection the mantel shelf remains the only object in the entire scene with real physical depth off the wall scene camera wide interior shot of a living room back wall from left to right an open rectangular interior pass through opening no door no glass simple casing trim revealing a softly out of focus adjacent room a run of flat painted wall the flush fireplace tile area with mantel and niche artwork above it more flat painted wall and a tall black framed window on the right all on the same flat wall plane with no projections or setbacks anywhere camera angle proportions and spacing should match the attached reference image interior pass through opening left side an open rectangular cased opening in the wall trimmed with simple white or agreeable gray painted casing no door no glass revealing a glimpse of an adjacent interior room beyond soft neutral interior tones out of focus exterior landscape through the window outside the tall black framed window a lush backyard landscape mature deciduous trees with full green canopies soft rolling lawn a partly cloudy blue daytime sky dappled natural sunlight clearly visible and readable slightly softer focus than the interior do not render the glass as reflective foggy blown out white or mirrored windows a tall black framed floor to ceiling window set flush into the flat wall plane described above matte black metal mullions thin glass reflections only at pane edges corners the window frame sits directly in the wall surface with no surrounding projection recess or step of any kind warm daylight spills onto the floor maintain at least 2 inches of painted agreeable gray wall visible as a buffer between the fireplace tile s right edge and the window frame walls painted drywall in sherwin williams sw 7029 agreeable gray warm slightly greige toned light gray eggshell satin sheen smooth knockdown texture one continuous flat plane full stop no interruption in depth anywhere except the pass through opening which is a cut through not a projection floor tile blue must read clearly as blue vita bella polished porcelain tile by maximo 24 x48 rectified edge large format planks in the blue colorway cool slate denim blue marble look stone with soft white and gray veining through a saturated blue base tone high gloss polished finish with strong specular highlights and reflections large format running bond pattern tight rectified grout lines in light gray grout keep the blue vivid even in shadowed areas base trim a 2 inch tall tile base skirting cut from the same vita bella polished blue tile running along the bottom of the flat back wall on both sides of the fireplace toward the pass through opening on the left toward the window on the right flush against the floor with a thin matching grout line this base does not wrap across the width of the fireplace tile column the ivory surround tile runs straight to the floor there with no base reveal fireplace flat linear gas fireplace flush with the wall a modern linear gas fireplace with its firebox opening cut directly into the flush tile surface like a window opening into a flat wall not a raised hearth not a projecting mantel breast not a built out chase clean burning flames visible through the glass front thin black minimal metal framing around the opening no logs modern glass bead or linear flame bed the opening sits centered in the lower portion of the tile area flush with the surrounding tile fireplace surround tile flush flat no projection chastain ivory matte porcelain tile by castille 24 x48 rectified edge large format planks ivory white matte finish subtle travertine look veining applied flat and flush to the wall in a vertical stacked pattern from the floor to the underside of the mantel wrapping the flush firebox opening thin 1 16 1 8 rectified grout lines in soft warm gray grout equal tile margins left and right with a minimum 2 inch reveal of painted wall before the window frame same forward facing plane as the painted wall on either side no step no ledge no returns mantel live edge walnut slab the only projecting element in the scene thick live edge black walnut wood slab mantel rich chocolate brown heartwood with pale cream sapwood streaking along one edge front facing long edge left completely natural and unmilled with organic undulating contour visible bark line texture small natural knots checks satin oil finish with deep flowing walnut grain this shelf projects forward off the flush tile wall plane with a modest overhang the single element in the entire composition allowed real physical depth into the room niche artwork small rectangular recessed niche centered above the mantel itself flush inset into the flat tile wall a shallow recess into the flat plane not a box sticking out holding a framed piece of artwork macro photography of two overlapping iris eye irises one pale blue and one warm amber brown high contrast fine radial detail black background centered and level lighting mood bright soft daytime lighting diffused window light as key source warm flame light glow as secondary light source gentle contact shadows only under the mantel distinct tones cool saturated blue floor warm ivory surround tile deep brown walnut mantel warm flame glow fireplace natural green sky tones window landscape soft neutral tones pass through opening negative prompt avoid no projecting fireplace chase breast box or built out masonry volume no visible side return corner shadow or step where the tile meets the painted wall no forward jog bump out or projecting corner around the window no wall stepping forward or backward anywhere along its length no raised hearth platform no door glass or frame in the left opening no blank white foggy mirrored window glass no gray beige washed out floor tile no glossy sheen on the surround tile no straight milled mantel edge no blue tile base across the fireplace column no warping of tile pattern no mismatched grout no tile overlapping the window frame no distorted mantel proportions no extra artwork no people no clutter
