relight this exact image with bright natural late morning daylight replace the existing low orange afternoon sun with a higher sun positioned above and slightly behind the camera this must be a genuine change in illumination and shadow geometry not simply a colour filter create a sunny atmosphere with a blue sky and a thin veil of high clouds gently softening the sunlight maintain directional light that reveals architectural relief with smooth transitions between illuminated and shaded surfaces avoid both harsh direct light and flat overcast lighting recalculate the cast shadows consistently with the higher sun shorten the long shadows on the paving and reduce the large diagonal shadow dominating the left fa ade keep realistic contact shadows beneath plants people bicycle wheels and architectural elements introduce natural sky illumination into shaded areas without flattening depth use balanced daylight white balance pale cream plaster subtle beige stone restrained terracotta roof colours and fresh natural greens sunlit surfaces may feel gently warm but must not turn orange or yellow preserve highlight detail and keep shadows readable without exaggerated hdr keep all architecture materials roof profiles windows doors planting courtyard layout terrace enclosure and refuse storage building unchanged preserve the exact camera framing and proportions keep both people and the bicycle in their current positions preserve the foreground flowering branches their fine details and their existing depth of field while adapting their illumination naturally to the new sunlight the result should feel like a refined architectural photograph taken on a clear pleasant spring morning no sunset effect orange grading dramatic cinematic lighting bloom lens flare artificial glow or loss of detail change lighting only
