interior render of the missing slice a heist themed pizzeria in new delhi with a y2k meets retro pizzeria energy playful layered with the digital language pulled into a single considered moment over the pizza counter the existing architecture stays exactly as the reference shows the curved corner booth with its overhead canopy marble countertop and trim hexagonal white tile base the long white tiled feature wall facing the windows the full height window wall the polished concrete floor geometry proportions and positions are fixed only styling materials and dressing change palette warm cream f4eddd midnight navy 1a2138 acid chartreuse d4f542 electric cobalt 2d5bff and a small dose of hot magenta e84393 chrome and brushed steel handle structure and trim black appears in small graphic accents only no wood no walnut no timber finishes anywhere no red scarlet or crimson the corner booth is the hero of the room the overhead canopy is finished in glossy lacquered midnight navy with a polished chrome trim edge a deep almost black colour block sitting above the dining floor tucked beneath it sits the open pizza making station a domed pizza oven in matte midnight navy with a brass collar golden amber flames flickering inside the lacquered canopy doubling as its hood the previously solid centre section of the booth is now a large fixed pane viewing glass guests on the dining side watch the pizzaiolo at work through it the digital feature the only screen in the room mounted across the full width of the canopy face above the viewing glass a wide led dot matrix display panel chartreuse pixels on a deep black housing scrolling continuously with menu items prices and stolen slice puns today s heist margherita 450 wanted anchovies fresh outta crime the display sits proud of the canopy by a few centimetres framed in chrome reading like a hybrid between a vintage stadium scoreboard and a 90s airport flip board it throws a soft cool electric green glow down onto the marble counter below the marble countertop wraps the front of the booth as the plating and service surface with brushed stainless prep tucked behind and acid chartreuse powder coated metal open shelving holding glass jars of toppings tomato tins and basil the hexagonal tile base stays predominantly cream with a scattered handful of cobalt and magenta accent hexagons above the booth on the corner wall a round hot magenta slice shaped neon glows beside it a chartreuse in case of emergency break glass wall box framing a single slice pizzaiolo in a chartreuse apron back to camera opposite the window wall runs the long feature wall its white grid tile preserved layered with loose hand painted graffiti in navy and chartreuse slice wanted kaboom grab a slice 1997 dripping marker style with a small magenta tag as a quiet accent mounted in the middle of the wall a tight grid of static lightboxes in classic speech bubble shapes in four colours magenta chartreuse cobalt cream with hand set lettering inside printed customer reviews no screens fully analogue near one end a focused cd disc mirror installation panel catches the room s light 90s nostalgia in panel form the furniture is placed with intention all on metal bases no wood anywhere a long banquette runs the full length of the feature wall upholstered in solid midnight navy with a single chartreuse piped trim and a chrome kick rail in front of it a continuous line of small two tops with brushed stainless steel pedestal bases and cream laminate tops paired with acid chartreuse powder coated tubular metal chairs two or three free standing round caf tables in the central zone with cobalt blue tops on slim chrome pedestals surrounded by a mix of navy and magenta tubular metal chairs along the window wall a slim chrome ledge counter for solo dining with chartreuse metal stools beneath the lighting is the second hero layered mismatched gloriously retro hanging over the corner booth a cluster of three milk glass globe pendants on slim chrome stems drifting across the central dining floor a polished chrome sputnik chandelier with twelve splayed arms ending in small clear bulbs atomic era 1950s revival over the line of two tops along the banquette a row of brass cone pendants on slim cords evenly spaced scattered across caf tables small memphis style mushroom table lamps in chartreuse cobalt and magenta flanking the speech bubble lightbox grid a pair of pill shaped chrome wall sconces with frosted glass faces outlining the entry archway a strip of exposed marquee bulbs theatrical diner cue underside of the navy booth canopy a thin run of cool white led tube light bordering the inside edge the neons slice shaped magenta and a smaller side wall stolen goods piece in cobalt stay where they were accenting rather than dominating smaller details land the brand yellow caution tape ribbons hang at the entry threshold like a crime scene seal the loudest moment in the room a small magenta raccoon graphic sits painted on a tile wall near the entry the overall light reads as warm cinematic evening all those mismatched fixtures pulling slightly different warm temperatures the milk globes soft the sputnik throwing pin points of white the brass cones a directed amber wash the marquee bulbs glittering at the threshold the mushroom lamps glowing low on tables a single splash of cool electric green glow from the led menu display above the booth sits as a deliberate contrast moment the only cool light in the room the oven adds golden amber through the viewing glass soft daylight filters through the window wall slight atmospheric haze camera a three quarter view from inside the dining floor eye level framed so the corner pizza booth anchors the right of the composition the led dot matrix display reading clearly above the viewing glass navy oven visible through the glass navy canopy capping it the feature wall with banquette stretching to the left the window wall throwing soft daylight across the foreground tables the sputnik chandelier centred above the room 28mm lens photorealistic architectural interior photography editorial magazine style soft shadows balanced colour grading high detail
