adjust lighting and material finish only introduce soft realistic natural daylight entering primarily from the front of the space as if an open arched entrance door were located directly behind the photographer proportionally similar to the internal arch visible within the space the front daylight should gently wash into the room illuminating the floor walls and reception desk evenly with realistic falloff and no visible light source maintain a calm overcast london daylight quality no harsh beams hotspots or dramatic contrasts keep the chandelier in its existing position but make it subtle and secondary reducing its visual dominance so it supports the scene rather than leads it add soft warm undershelf led lighting to the bookshelf on the right hand side only integrated and understated adjust the stone floor finish so it appears honed and matte with minimal reflections and no glossy or mirror like highlights preserve all geometry perspective architecture materials colours furniture branding and proportions exactly as they are no new openings no added windows no changes to layout or design
