style base photorealistic architectural interior rendering natural daylight streaming in from floor to ceiling windows with a visible outdoor landscape beyond soft ambient occlusion 8k resolution ray traced reflections shot on full frame camera 24mm lens eye level perspective matching the attached reference image exactly wall plane fireplace massing read carefully this is the most important instruction the back wall is a single flat plane of drywall from the left pass through opening all the way to the right window with no change in depth anywhere the tile is not a box not a chase not a built out volume it is a flat surface finish applied directly onto that same flat drywall plane the same way paint or wallpaper would be picture it like this if you ran your hand along the wall from the far left to the far right it would stay on one continuous flat surface the entire way the tile area would feel exactly as flush as the painted area with zero step zero ledge zero return and zero shadow line at its edges when viewed head on the vertical line where painted wall meets tile must be a simple color change only a butt joint with no visible side wall no 90 degree return no strip of shadow or highlight indicating a corner or box edge the corner of the room where this wall meets the ceiling and the perpendicular walls must be one continuous straight vertical line from floor to ceiling at a single unbroken depth do not let the wall step forward at the fireplace and step back on either side of it even by a few inches the only object anywhere in this scene permitted to have real physical projection depth off the wall is the mantel shelf itself scene camera wide interior shot of a living room back wall from left to right an open rectangular interior pass through opening no door no glass simple casing trim revealing a softly out of focus adjacent room a run of flat painted wall the flush fireplace tile area with mantel and niche artwork above it more flat painted wall and a tall black framed corner window system on the right with floor to ceiling glazing camera angle proportions and spacing should match the attached reference image precisely except the tile fireplace area must be corrected to sit perfectly flush rather than projecting forward interior pass through opening left side an open rectangular cased opening in the wall trimmed with simple white or agreeable gray painted casing no door no glass revealing a glimpse of an adjacent interior room beyond soft neutral interior tones out of focus exterior landscape through the window right side outside the tall black framed window a lush backyard landscape mature deciduous trees with full green canopies soft rolling lawn a partly cloudy blue daytime sky dappled natural sunlight visible and in focus enough to read clearly slightly softer focus than the interior do not render the glass as reflective foggy blown out white or mirrored windows tall black framed floor to ceiling window corner glazing system on the right matte black metal mullions thin glass reflections only at pane edges corners warm daylight spills onto the floor maintain at least 2 inches of painted agreeable gray wall visible as a buffer between the fireplace tile s right edge and the window frame walls painted drywall in sherwin williams sw 7029 agreeable gray warm slightly greige toned light gray eggshell satin sheen smooth knockdown texture one continuous flat plane with no interruption in depth except at the pass through opening and window floor tile blue must read clearly as blue vita bella polished porcelain tile by maximo 24 x48 rectified edge large format planks in the blue colorway cool slate denim blue marble look stone with soft white and gray veining through a saturated blue base tone high gloss polished finish with strong specular highlights and reflections large format running bond pattern tight rectified grout lines in light gray grout keep the blue vivid even in shadowed areas base trim a 2 inch tall tile base skirting cut from the same vita bella polished blue tile running along the bottom of the flat back wall on both sides of the fireplace toward the pass through opening on the left toward the window on the right flush against the floor with a thin matching grout line this base does not wrap across the width of the fireplace tile column the ivory surround tile runs straight to the floor there with no base reveal fireplace flat linear gas fireplace flush with the wall not a projecting box a modern linear gas fireplace with its firebox opening cut directly into the flush tile surface like a window opening into a flat wall not a raised hearth not a projecting mantel breast not a built out chase clean burning flames visible through the glass front thin black minimal metal framing around the opening no logs modern glass bead or linear flame bed the opening sits centered in the lower portion of the tile area flush with the surrounding tile fireplace surround tile flush flat no projection chastain ivory matte porcelain tile by castille 24 x48 rectified edge large format planks ivory white matte finish subtle travertine look veining applied flat and flush to the wall in a vertical stacked pattern from the floor to the underside of the mantel wrapping the flush firebox opening thin 1 16 1 8 rectified grout lines in soft warm gray grout equal tile margins left and right with a minimum 2 inch reveal of painted wall before the window frame the tile area must have the exact same forward facing plane as the painted wall on either side of it no step no ledge no returns mantel live edge walnut slab the only projecting element in the scene thick live edge black walnut wood slab mantel rich chocolate brown heartwood with pale cream sapwood streaking along one edge front facing long edge left completely natural and unmilled with organic undulating contour visible bark line texture small natural knots checks satin oil finish with deep flowing walnut grain this shelf projects forward off the flush tile wall plane with a modest overhang the single element in the entire composition allowed real physical depth into the room niche artwork small rectangular recessed niche centered above the mantel itself flush inset into the flat tile wall a shallow recess into the flat plane not a box sticking out holding a framed piece of artwork macro photography of two overlapping iris eye irises one pale blue and one warm amber brown high contrast fine radial detail black background centered and level lighting mood bright soft daytime lighting diffused window light as key source warm flame light glow as secondary light source gentle contact shadows only under the mantel not around the tile edges since the tile has no projecting edge to shadow distinct tones cool saturated blue floor warm ivory surround tile deep brown walnut mantel warm flame glow fireplace natural green sky tones window landscape soft neutral tones pass through opening negative prompt avoid no projecting fireplace chase breast box or built out masonry volume of any kind no visible side return corner shadow or step where the tile meets the painted wall no change in wall depth anywhere across the back wall no raised hearth platform no door glass or frame in the left opening no blank white foggy mirrored window glass no gray beige washed out floor tile no glossy sheen on the surround tile no straight milled mantel edge no blue tile base across the fireplace column no warping of tile pattern no mismatched grout no tile overlapping the window frame no distorted mantel proportions no extra artwork no people no clutter
