critical this image must exactly replicate the composition camera angle geometry spatial layout object positions and proportions shown in the attached sketchup reference image the reference image is the absolute master for all spatial and compositional decisions the only permitted changes are replace white placeholder figures with photorealistic suited men at the same position and scale apply photorealistic material textures to all surfaces and add dramatic broadcast lighting as described below no other changes to geometry composition position scale or framing are permitted photorealistic hyperrealistic dslr photograph shot on canon eos r5 professional architectural interior photography quality not cgi not a 3d render the image shows the interior of a luxury five star hotel ballroom set for an exclusive awards ceremony viewed from the rear centre of the audience at seated eye level approximately 1 2 metres above the floor looking straight toward the stage and back wall 24mm wide angle lens f 4 deep focus with everything sharp from the front row chairs to the back wall 2 1 ultrawide panoramic aspect ratio symmetrical left right composition matching the sketchup reference view exactly the stage is a thrust stage with an angular pentagonal plan shape it is not rectangular the front comes to an angular point toward the audience like the prow of a ship with angled sides running back to the rear wall the angular point faces directly toward the camera on the centre line the stage deck is 600mm high with a 45 degree chamfered bevel on all front facing and side edges the stage surface is black wool carpet warm white led strip lighting runs as two continuous accent lines around the front and sides of the stage one along the top edge of the chamfered fascia where the stage top surface meets the angled chamfer and one along the bottom edge where the chamfer meets the black carpet floor these create a defined glowing outline of the stage form steps with matching chamfer detail are at stage right a large black carpet area runs under and around the stage base and extends under the front two rows of vip seating on the stage surface are three black suede tub chairs arranged in a triangular conversation grouping and a low circular coffee table with brushed gold metallic sides and a polished black marble top positioned centrally between the chairs there are exactly three separate tub chairs not two all three chairs and the coffee table must be clearly visible a polished silver and gold premier league trophy with red fabric ribbons tied to and hanging from the trophy handles sits on a cylindrical plinth wrapped in gold fabric at stage left the trophy has a silver crown on top a gold body and the red ribbons are a key identifying detail two men stand centre stage in natural relaxed conversation one slightly turned toward the other they are 1 8 metres tall young mid 20s athletic slim footballer build wearing tailored dark navy suits with white shirts and no ties the trophy plinth reaches their waist height the chairs reach their mid thigh correct human proportions and scale throughout behind the stage is a full width back wall installation that spans completely from the left wall to the right wall with no gaps and no visible plain wall surface at either side the installation is approximately 5 metres high at the centre of the back wall is a large flat led video wall screen displaying the premier league hall of fame gold lion crest logo on a black background this screen emits light and has the characteristic slight luminous quality of an led wall flanking the central screen are three dimensional sculptural ribbon forms made from brushed gold metal with horizontal grain these gold ribbons are physically three dimensional objects with real depth they are not flat graphics or painted bands on a surface they curve smoothly in and out in flowing s curves stepping forward and back at different depths and their edges overlap the edges of the central video wall creating a layered sculptural frame they catch light on their curved surfaces and cast shadows behind them proving their three dimensionality shuttered profile spotlights from above rake across these gold surfaces catching the horizontal brushed metal grain on the convex parts of the curves and leaving the concave recesses in shadow a warm white led accent line runs continuously along the lower edge of the lowest gold sculptural ribbon where it meets the black surface beneath it creating a defined floating edge between and behind the gold sculptural ribbons are additional led video wall surfaces that follow smooth s shaped curved paths these curved video screens display the specific hall of fame brand graphic pattern groups of parallel diagonal lines arranged in chevron like formations at consistent angles exactly matching the brand pattern shown in the sketchup reference image do not reinterpret or change these graphics the diagonal stripe pattern is screen content displayed on the led surface not a physical texture or louvre or slat these curved screens glow and emit light outward they are smooth seamless surfaces not segmented panels at the far right end of the back wall installation a printed fabric banner hangs vertically displaying the diagonal stripe brand graphic this banner is matte printed fabric not a screen and does not emit its own light it is lit from below by a single gentle warm uplight that washes the lower portion of the banner only the upper portion fades into shadow it must read clearly as fabric catching light not as a glowing screen theatre style curved rows of chairs fill the audience area the front two vip rows closest to the stage are upholstered tub chairs sitting on the black carpet zone the remaining rows behind are standard black event chairs sitting on the existing geometric patterned hotel carpet in warm grey and taupe tones the ceiling has two large circular recessed coffers containing crystal cascade chandeliers dimmed to approximately 20 percent emitting soft warm sparkle enough to see the chandelier forms and ceiling coffers but not enough to light the room a black rigging truss bar runs above the stage between the two chandeliers holding 12 to 14 moving head spot fixtures aimed down at the stage lighting the room reads as a dramatic moody awards ceremony hero moment ceiling rigged moving head spots throw tight focused pools of warm white light down onto the black carpet stage surface creating defined circles of light the spots catch the two figures and the three chairs and coffee table creating modelling light with shadows the central led video wall and all curved s ribbon led surfaces emit broadcast level light outward spilling onto the adjacent gold sculptural ribbons and creating visible reflections and highlights in the brushed metal spilling up onto the ceiling forward onto the stage surface and faintly reaching the front rows of chairs gentle soft wash lighting from the ceiling falls onto the audience seating area enough to clearly see the chair rows the vip tub chairs and the depth of the room the audience area is dim but visible not lost in darkness the room is not a black void the stage and back wall are the brightest and most dramatic elements slight atmospheric haze is visible where stage spot beams cut through the air the evening is interior only with zero daylight and no windows do not include digital artifacts unrealistic proportions oversaturated colours any change to the angular thrust stage shape any change to the camera angle from the reference windows or daylight flat painted gold bands instead of three dimensional sculptural curves physical louvres or slats instead of smooth glowing led screens gaps of plain wall at the sides of the back wall a missing fabric banner a banner that looks like a screen fewer than three chairs a missing coffee table an ottoman or pouf instead of the coffee table missing red ribbons on the trophy incorrect human scale a rectangular stage missing chamfered edges a black void with no visible audience an overly bright evenly lit room any elements not described cartoon or illustrated or cgi style lens flare bloom on non emitting surfaces
