create an ultra photorealistic high end architectural visualization of a contemporary hotel lobby with a bar and lounge area treat the source image as a fixed architectural design model and reproduce it with maximum fidelity preserve exactly the camera position framing perspective proportions geometry of walls columns doors ceiling bar shelving partitions tables chairs lighting fixtures glazing and all other visible elements do not redesign the interior move or rescale elements simplify the model or add or remove architectural components the interior should feel like a modern welcoming lifestyle hotel elegant contemporary cosy and premium the material palette should be based on light natural oak with a subtle warm undertone very dark graphite finishes black metal muted forest green warm beige grey flooring and refined brushed satin gold the timber should remain light and natural with gentle warmth but without yellow orange or honey tones the lighting should enhance the warmth and natural character of the timber foreground left hand joinery shelving and door preserve exactly the timber joinery on the left hand side including its height width divisions proportions and position finish the solid lower section and shelves in light natural oak with a softly warm neutral tone subtle realistic grain and a matte or very low sheen finish the grain should be calm and refined without strong contrast keep the thin vertical structural elements in black metal with a matte or very subtle satin finish preserve the existing arrangement of books plants planters and decorative objects keep the styling restrained and premium using mainly stone accessories in black cream and neutral tones keep the door on the right hand side exactly in its current position and proportions finish the door leaf in the same light subtly warm natural oak keep the handle and ironmongery black and maintain the surrounding wall in a very dark graphite tone finish the walls in a deep graphite colour with a subtle painted texture and a very delicate satin finish the walls should remain dark but retain visible material depth and detail use large format floor tiles in a warm light beige grey tone with noticeably more beige than grey the overall appearance should feel warm and soft rather than cool or cement grey the surface should be smooth clean calm and relatively uniform with only a very subtle texture and low sheen avoid strong tonal variation cloudy patches stains dirty looking areas brightened corners or harsh transitions the grout should be grey slightly darker than the tiles subtle and even second plane central column bar and chairs preserve the central column exactly in its current geometry and position finish it with small rectangular vertical ceramic brick format tiles as shown in the model the tiles should have a muted light forest green colour with a very subtle olive grey undertone while still reading clearly as green their surface should have a distinctly ceramic slightly handcrafted character with gentle irregularity and softly rounded edges each tile should be slightly convex softly pillowed rather than completely flat the ceramic tiles should have a delicate satin sheen clearly catching a small amount of light and showing soft controlled highlights but without becoming glossy glass like mirror like or highly reflective do not add any led lighting around the column keep the bar exactly in its current shape dimensions radius height and position finish the front with vertical slats in light natural oak with a softly warm undertone use very dark almost black laminate between the slats the lower plinth should be dark graphite matte visually solid and must not look plastic finish the bar top in a dark graphite material with very subtle fine veining in a satin or honed finish preserve the existing chairs exactly in their current positions and proportions the brown chairs should have warm cognac brown upholstery with subtle natural grain and a semi matte finish the green chair should remain in a deep muted forest green tone with soft premium upholstery and black metal framing the pendant lights above the bar must remain exactly in their existing number sequence height shape and proportions they must read clearly as brushed satin gold metal with a soft premium sheen do not make them white cream beige transparent or glass like the joinery partition element next to the buffet must preserve its exact geometry the upper section should be made of black perforated metal mesh with a refined architectural appearance and clearly visible perforation the section below should be finished with vertically fluted ribbed glass with fine vertical texture and subtle translucency the fluted glass should gently distort the view through it and softly catch the light but must not become mirror like or highly reflective do not replace the perforated metal or fluted glass with solid panels third plane back bar area passage and background preserve exactly the back bar joinery and all visible equipment behind the counter keep the shelves coffee machine bottles glassware bar equipment and small timber fronts in their current positions the timber details in this zone should match the same light natural oak with a subtle warm undertone used elsewhere do not increase the amount of equipment or decoration keep the bar accessories realistic but visually secondary preserve the doors and glazing leading to the further restaurant or hotel area exactly as shown through the glazing show a realistic continuation of the interior with subtle tables chairs and architectural details the background should be visible but softer and less contrasted than the first and second planes creating natural visual depth where exterior glazing is visible introduce a believable urban exterior context rather than an empty or overexposed white background show subtle neighbouring fa ades pavement greenery and restrained city details correctly scaled and matched to the interior perspective ceiling preserve exactly the existing ceiling geometry module layout proportions ventilation grilles diffusers downlights detectors and all other technical elements the suspended ceiling panels should not be pure bright white use a soft warm off white with a very subtle beige undertone creating an elegant and slightly warmer ceiling tone the ceiling should still read as white but with a gentle creamy beige warmth rather than cold clinical white keep the surface clean and uniform with a very subtle acoustic texture all ceiling trims perimeter bands visible front fascias of lowered ceiling sections and suspended ceiling edges should remain black creating a precise dark architectural border ventilation grilles and hvac elements must remain exactly where shown and must not be illuminated or backlit do not create glow halo or led effects around technical ceiling elements add a concealed linear led only in the specific ceiling zone next to the glazing window by the bar exactly where required by the design do not continue this led around the room or around the columns the led source must be invisible and should create only a thin subtle indirect glow approximately 3000 k with very low intensity lighting create bright natural professional hotel lighting with a soft warm daytime character as if the interior were photographed at approximately 2 00 pm natural daylight should visibly enter through the windows and glazing bringing soft warmth and freshness into the interior the daylight should gently illuminate the floor bar timber joinery chairs and architectural surfaces and should particularly enhance the subtle warm tone of the natural oak the light should make the timber feel warm soft and premium without turning it yellow or orange the daylight should be diffused and balanced rather than harsh avoid strong directional sunlight hard edged shadows deep contrast or dramatic pools of darkness shadows should remain soft gentle and naturally diffused creating depth without becoming visually heavy balance the natural daylight with the interior artificial lighting maintain a natural white balance and an overall warm neutral impression around 3000 3500 k avoid grey cold blue strongly yellow orange pink or sepia colour casts the interior should feel bright fresh naturally warm and welcoming not gloomy flat or underexposed dark graphite surfaces should remain dark while retaining visible texture and detail the final image should resemble professional high end hospitality photography realistic bright naturally illuminated refined and materially coherent maintain the exact architecture geometry framing perspective and location of all elements do not redesign the space do not add random lighting do not add led lighting around the columns keep the column tiles gently satin and subtly reflective keep the floor distinctly warmer and more beige than grey preserve the black perforated metal mesh above the buffet joinery and vertically fluted glass below it keep the ceiling a warm off white with a very subtle beige undertone and use the lighting to emphasise the soft warmth of the natural oak
