treat the existing diagram as an untouchable information graphic preserve every shape connection label and relationship exactly important the original image is the foundation of the visual and must remain completely intact do not change the composition change the spatial layout remove anything add architectural elements add buildings add roads or paths change shapes or geometry change proportions move or resize existing elements change the perspective change the information hierarchy alter existing labels text or typography redesign any part of the original drawing preserve every existing element exactly as it appears only apply a subtle historical graphic style overlay to the existing image style direction create a visual identity inspired by historic gouda painted earthenware and antique dutch ceramic decoration the style should combine historical archival drawing gouda ceramic decoration contemporary architectural visualization the result should feel as if a contemporary architectural drawing has been carefully illustrated using the visual language of historic gouda ceramics do not turn the image into a ceramic object do not make it look like a ceramic plate do not make the entire image look vintage or sepia instead preserve the original architectural visual and give it a subtle historical gouda layer goudse ceramic language use the visual characteristics found in historic gouda decorative earthenware warm off white porcelain like background feeling very fine hand drawn botanical linework delicate reddish brown contour lines muted pastel colours dusty lavender faded blue sage green muted yellow ochre soft terracotta subtle olive green fine botanical hatching delicate dots and small decorative marks elegant curling stems ornamental leaves small flowers and botanical details slightly irregular hand painted lines subtle glazed paper ceramic texture refined craftsmanship generous white space the botanical decoration should feel inspired by historic gouda ceramics but not copied literally from one specific ceramic object botanical decoration use only approximately 1 2 small botanical decorative motifs per visual the motifs should remain subtle and secondary they must never become the main subject of the image each visual should have a slightly different botanical motif vary the botanical elements between images different flowers different leaves different stems different small floral compositions different curling ornamental lines occasional small berries or dots do not use the same flower repeatedly across every visual the flowers should be small delicate and refined approximately 2 5 of the total visual area avoid large bouquets dense floral compositions or excessive decoration the botanical motifs should preferably appear in existing empty space margins or visually quiet areas without covering or obscuring important information they should feel as though they are a subtle decorative signature of the gouda historical style historical character give the image a restrained archival quality through subtle paper grain very light aged paper texture fine ink texture slightly imperfect hand drawn line quality delicate print imperfections subtle faded pigment soft material texture keep this extremely subtle the image should not look dirty heavily distressed yellowed sepia or artificially old think well preserved historical architectural document rather than old damaged paper important visual hierarchy the original architectural drawing diagram visualization remains the primary subject the historical gouda decoration is secondary the viewer should first understand the architecture and spatial concept and only afterwards notice the subtle gouda ceramic references the decorative layer should feel like a visual signature rather than an illustration placed on top the final image should communicate contemporary architecture rooted in the history of gouda not an illustration of a ceramic plate maintain a sophisticated architectural and professional appearance
