general requirements create an ultra photorealistic high end architectural visualization of a contemporary hotel lobby with a bar and lounge area treat the source image as a fixed design model and reproduce it with maximum fidelity preserve exactly the camera position framing perspective proportions geometry of walls columns doors ceiling bar shelving partitions tables chairs lighting and all other elements do not redesign the interior do not move or rescale any elements do not simplify the model and do not add or remove anything the interior should have the character of a modern welcoming lifestyle hotel elegant contemporary cosy and premium the main material palette should include light natural oak with a subtly warm neutral tone very dark graphite black metal muted green warm grey beige tones and brushed satin gold the timber should feel natural soft and refined with gentle warmth but without yellow orange or honey undertones the grain should be realistic calm and not overly contrasting with a matte or very subtle satin finish the lighting should be bright natural and suitable for a hotel interior without a grey gloomy or overly orange appearance foreground left hand joinery shelving and door on the right in the foreground preserve exactly the existing timber joinery on the left hand side including its height width divisions and position finish the lower solid section in light natural oak with a subtly warm tone with restrained realistic grain and a matte finish the timber should feel light and warm but not yellow orange honey coloured or bleached keep the open shelves exactly as shown in the model finish the shelves in the same light subtly warm oak while the thin vertical structural elements should be black metal with a matte or very subtle satin finish preserve the existing arrangement of books plants planters and decorative accessories the styling should remain restrained elegant and appropriate for a hotel interior use mainly stone planters and vases in black cream or neutral tones without random colourful accessories do not change the geometry of this joinery and do not add extra shelves or structural elements keep the door on the right hand side exactly in its existing position shape and proportions the door leaf should be finished in light natural oak with a subtly warm tone with realistic calm grain the handle and ironmongery should remain black the frame and surrounding wall should remain in a very dark graphite colour finish the foreground walls in very dark graphite paint with a subtle painted texture and a delicate satin finish do not make them completely black or flat they should retain visible depth and detail use large format floor tiles in a warm light grey beige tone the surface should be smooth calm uniform and lightly matte do not add strong patterning stains worn areas cloudy variation or brightened corners the grout should be grey slightly darker than the tile subtle and even second plane central column bar and chairs on the second plane preserve the central column exactly in its existing position geometry and proportions finish it with small rectangular ceramic brick format tiles arranged vertically as shown in the model the tiles should have a muted light forest green colour with a very subtle olive grey undertone while still reading clearly as green they must not become mint turquoise heavily grey or dark fir green the surface should feel ceramic with a slightly handcrafted character each tile may be gently convex or softly pillowed with subtly softened edges and very delicate surface irregularity use a satin finish that softly reflects light but does not look glassy mirror like or highly glossy do not add any led lighting or illumination around the column keep the bar in the background exactly in its current shape height curve and position the bar front should be finished with vertical slats in light natural oak with a subtly warm tone use very dark almost black laminate between the slats the lower plinth should be dark graphite matte solid in appearance and must not look plastic finish the bar top in a dark graphite material with very delicate fine veining in a satin or honed finish do not make it completely black or highly glossy preserve exactly the existing number position and proportions of the high chairs at the bar the brown chairs should have warm cognac brown upholstery with subtle natural grain and a semi matte finish keep the green chair in the foreground in a deep muted forest green tone with soft elegant upholstery and a black metal frame the pendant lights above the bar must remain exactly in their current number sequence heights and proportions they should be clearly made of brushed satin gold metal the gold should read clearly elegant and premium without mirror like shine and without a bright yellow tone do not make the pendants white cream or glass like the upper perforated mesh like structure above the bar should remain black metal preserving its exact existing geometry and perforated or mesh character do not lighten it and do not change it to timber third plane back bar area passage and background on the third plane preserve exactly the bar joinery visible behind the counter the walls and background of the bar should remain very dark graphite with black elements keep the existing shelves coffee machine bottles glassware bar equipment and small timber fronts exactly in their current positions all timber fronts and timber details in this zone should be finished in light natural oak with a subtly warm neutral tone matching the rest of the joinery the timber should retain gentle warmth without any yellow or orange cast do not increase the amount of bar equipment all accessories should look realistic but remain visually secondary keep the doors and glazing leading to the further restaurant area exactly in their existing position size and proportions through the glazing show a realistic continuation of the hotel or restaurant interior with subtle tables and chairs the background should remain visible but less contrasted and less detailed than the foreground and second plane creating natural depth on the left hand side through the glazing show a realistic exterior or adjacent urban context rather than an empty white background a subtle view of fa ades pavement greenery and city surroundings may be visible the background should feel calm realistic and correctly scaled to the interior ceiling and lighting preserve exactly the existing ceiling geometry module layout ventilation grilles diffusers downlights detectors and all other technical elements the suspended ceiling panels should be white clean and uniform with a very subtle acoustic texture do not make them grey or dark all ceiling trims perimeter bands the visible front faces of lowered ceiling sections and suspended ceiling fascias should be black creating a refined dark border do not change these elements to timber or white ventilation grilles and other hvac elements must not be illuminated do not add any glow or led lighting around them add a delicate concealed linear led only in the zone by the window glazing associated with the bar exactly where required by the design do not continue this led around the entire ceiling the light should be very subtle approximately 3000 k without a strong yellow or orange glow the overall lighting should be bright natural and professional like a high end hotel lobby photographed during daytime introduce soft natural daylight from the glazed areas gently illuminating the floor light subtly warm timber the bar and the second plane do not make the interior grey gloomy cold or too dark maintain a natural white balance and an overall light temperature of approximately 3000 3500 k the final image should look like professional high end hotel interior photography realistic bright naturally illuminated elegant and materially cohesive the timber should remain light and natural with a subtle warm undertone but without yellow orange or honey tones preserve exactly the architecture geometry framing and location of all elements do not redesign the interior add random lighting or introduce additional decorative elements
