interior render of the missing slice a heist themed pizzeria in new delhi leaning into a y2k meets retro control room energy playful layered screens and surveillance woven into the brand language the existing architecture stays exactly as the reference shows the curved corner booth with its overhead canopy marble countertop and trim hexagonal white tile base the long white tiled feature wall facing the windows the full height window wall the polished concrete floor geometry proportions and positions are fixed only styling materials and dressing change new palette warm cream f4eddd midnight navy 1a2138 acid chartreuse d4f542 electric cobalt 2d5bff and a small dose of hot magenta e84393 chrome and brushed steel handle structure and trim black appears in small graphic accents only no wood no walnut no timber finishes anywhere no red scarlet or crimson the corner booth is the hero of the room the overhead canopy is finished in glossy lacquered midnight navy with a polished chrome trim edge a deep almost black colour block sitting above the dining floor like the lid of a security console tucked beneath it sits the open pizza making station a domed pizza oven in matte midnight navy with a brass collar golden amber flames flickering inside the lacquered canopy doubling as its hood the previously solid centre section of the booth is now a large fixed pane viewing glass guests on the dining side watch the pizzaiolo at work through it framed like a security monitor view mounted just above the viewing glass on the canopy face a built in led dot matrix display scrolls horizontally with menu items prices and stolen slice puns in chartreuse pixels on black the marble countertop wraps the front as the plating and service surface brushed stainless prep tucked behind acid chartreuse powder coated metal open shelving holds glass jars of toppings tomato tins and basil the hexagonal tile base stays predominantly cream with a scattered handful of cobalt and magenta accent hexagons above the booth on the corner wall a round hot magenta slice shaped neon glows beside it a chartreuse in case of emergency break glass wall box framing a single slice pizzaiolo in a chartreuse apron back to camera opposite the window wall runs the long feature wall its white grid tile preserved now reading slightly cream against the warmer interior light and layered with two distinct zones digital and analogue at the centre a stack of six vintage crt tvs chunky beige and grey housings 4 3 aspect mounted directly on the tile in an irregular grid each looping different content security camera footage of the room itself pizza tossing clips vintage mtv style graphics scrolling text in cobalt and chartreuse pixels to one side layered over the tile loose hand painted graffiti in navy and chartreuse slice wanted kaboom grab a slice 1997 dripping marker style with a small magenta tag as a quiet accent to the other side the previous speech bubble lightboxes are now upgraded to small lcd screens housed in speech bubble shapes each cycling through real time customer reviews in scrolling text magenta chartreuse cobalt cream near one end of the wall a horizontal led ticker tape strip runs the full length stock ticker style scrolling pizza specials in chartreuse dot matrix a focused cd disc mirror installation panel sits near the entry end the analogue 90s wink alongside the digital the furniture is placed with intention all on metal bases no wood anywhere a long banquette runs the full length of the feature wall upholstered in solid midnight navy with a single chartreuse piped trim and a chrome kick rail in front of it a continuous line of small two tops with brushed stainless steel pedestal bases and cream laminate tops paired with acid chartreuse powder coated tubular metal chairs two or three free standing round caf tables in the central zone with cobalt blue tops on slim chrome pedestals surrounded by a mix of navy and magenta tubular metal chairs along the window wall a slim chrome ledge counter for solo dining with chartreuse metal stools and a row of small built in lcd screens embedded just below the ledge top each playing pixel art loops of pizzas being delivered surveillance grids and slice graphics the lighting is the second hero layered mismatched gloriously retro hanging over the corner booth a cluster of three milk glass globe pendants on slim chrome stems drifting across the central dining floor a polished chrome sputnik chandelier with twelve splayed arms ending in small clear bulbs atomic era 1950s revival over the line of two tops along the banquette a row of brass cone pendants on slim cords evenly spaced scattered across caf tables small memphis style mushroom table lamps in chartreuse cobalt and magenta flanking the crt tv stack a pair of pill shaped chrome wall sconces with frosted glass faces outlining the entry archway a strip of exposed marquee bulbs theatrical diner cue underside of the navy booth canopy a thin run of cool white led tube light bordering the inside edge the neons slice shaped magenta and a smaller side wall stolen goods piece in cobalt stay where they were accenting rather than dominating smaller details land the brand yellow caution tape ribbons hang at the entry threshold like a crime scene seal the loudest non screen moment in the room a small magenta raccoon graphic sits painted on a tile wall near the entry holding a tiny crt tv in its paws a vintage cctv camera prop mounted in one corner lens aimed at the booth the overall light reads as warm cinematic evening all those mismatched fixtures pulling slightly different temperatures the milk globes soft and warm the sputnik throwing pin points of white the brass cones a directed amber wash the marquee bulbs glittering at the threshold the mushroom lamps glowing low on tables mixed with the cool electric blue and green glow spilling from the dozens of screens dot matrix strips and led tickers the oven adds golden amber through the viewing glass soft daylight filters through the window wall slight atmospheric haze camera a three quarter view from inside the dining floor eye level framed so the corner pizza booth anchors the right of the composition navy oven visible through the viewing glass lacquered navy canopy capping it like a control console lid the crt tv stack and ticker tape feature wall stretching to the left with the banquette running beneath the window wall throwing soft daylight across the foreground tables the sputnik chandelier centred above the room 28mm lens photorealistic architectural interior photography editorial magazine style soft shadows vibrant but controlled colour grading with warm cool contrast high detail
