transform this architectural landscape visualization into an ultra realistic high end architectural landscape photograph preserve the exact design geometry proportions composition camera position perspective architecture and landscaping exactly as shown in the reference image nothing about the design may change and nothing may be added that is not already present in the reference image this is a photographic realism upgrade only never a redesign and never an enrichment every single element the architecture every material the landscaping every plant every object every surface must stay completely identical in its size shape position and arrangement to the reference image everything simply stays exactly as it already is do not change the design in any way do not add remove replace move resize or redesign any element and do not invent or insert any new object plant reflection or detail that cannot already be seen in the reference do not change the location of any existing shadow every shadow must fall exactly where it falls in the reference image and do not add any new shadow that is not already present a shadow s edge may be rendered softer and more naturally diffused for photographic realism but its position direction and overall shape must stay exactly the same critical tree checklist read and confirm before rendering anything else two earlier generations of this exact image dropped trees that belong in it before doing anything else locate and confirm all of the following five trees are present in the output each in its own exact position size and shape 1 two large overlapping trees in the left foreground with compound feather like pinnate foliage canopies spreading across the top of the frame 2 one tree glimpsed through the gap in the hedge near the entrance gate in the middle distance 3 one substantial round crowned tree standing directly in front of the main house facade trunk rising from the lawn border right against the house wall canopy partially overlapping the gable roofline this specific tree has been missing from previous generations it is mandatory and must be clearly visible in front of the house 4 one smaller round crowned tree near the corner of the house beside the glazed extension on the right this specific tree has also been missing from previous generations it is mandatory and must be clearly visible beside the house 5 a background mass of mature tree canopy visible above and behind the hedge on the left that is five individual trees plus background canopy none of them may be omitted merged into the hedge shrunk into insignificance or replaced with empty sky wall or lawn trees 3 and 4 in particular the two trees standing directly beside and in front of the house itself must not be dropped master material style reference project 3 cox repeated here in every entry so each prompt can be used standalone reference materials match exactly match all architectural materials finishes planting and lighting mood precisely to the design intent described below the facade kalei white painted brick described in full detail the main house is traditional brick masonry fully painted in a solid uniform white finish kalei the white paint is completely opaque from top to bottom read as a consistent even white everywhere on the wall this is never a thin see through wash and the brick s natural reddish brown color must never show through anywhere as a color or tonal patch what must read clearly through the white paint however is the brick s physical construction the paint follows the masonry so closely that the outline of every individual brick the horizontal coursing joints and the vertical joints between bricks all remain clearly visible as fine soft surface relief and gentle natural shadow lines under daylight exactly as real masonry paint or limewash applied directly over brick behaves never as a smooth featureless rendered or stuccoed wall with no brick shapes visible the surface has a hand applied artisanal quality slight unevenness and soft tonal breathing from brick to brick a matte chalky slightly warm white never glossy never a cold or clinical bright white with gentle believable natural weathering and soft grey staining lower down near the ground and around any downpipes or corners all classical architectural detailing on this facade must be rendered with equal care and must also read as painted masonry in the same opaque white the projecting raised cornice and verge trim running beneath the roofline the plain pilaster like vertical corner strips at the building s corners and the simple moulded surrounds and lintels above the window and door openings all of these elements keep crisp clean sharply projecting profiles with their own small cast shadow lines where they stand proud of the wall plane while their painted surface still shows the same soft brick and mortar texture as the rest of the wall never a smooth plastered or rendered finish small dark iron wall tie anchor plates gevelankers are set into the facade here and there as a traditional functional detail and must read as thin slightly weathered dark metal accents sitting flush with the wall surface a subtle detail not a dominant one but one that should never be omitted where visible in the reference window and door openings are framed in simple dark anthracite near black steel or timber frames with traditional divided lights multiple small individual panes per sash not a single large pane several upper windows have dark stained timber louvered shutters fixed open flat against the wall on either side of the opening door openings are filled with a flush vertical dark stained timber door often set within a slightly recessed entrance alcove with white painted reveals and a stone threshold window sills are a dark natural stone bluestone never render this facade as a flat smooth featureless white render or stucco wall with no brick shapes visible and never let the brick s underlying color tint or show through the white paint the wall must always stay a consistent uniform white while the brick and mortar texture together with the crisp cornice corner strip and window door surround detailing remains clearly legible purely as surface relief and natural shadow the roof the main house s pitched roof is covered in small flat smooth rectangular roof tiles in a cool slightly blue grey tone laid in tight regular overlapping rows with clean crisp edges a refined traditional slate like roof tile with only subtle believable tonal variation from tile to tile and no bright color gloss or heavy weathering pattern the roof is steeply pitched with clean straight ridge lines and features one or more small dormer windows each with its own miniature pitched roof in the same grey tile and a single tall dark framed divided light window the eaves and gable verges are finished with a crisp pale white or light stone colored cornice fascia trim that contrasts cleanly against both the white wall below and the grey roof above the black timber volumes extension and garden pavilion the modern single storey extension attached to the house and the separate freestanding garden pavilion pool house are both clad in the same vertical black stained timber boarding tightly spaced boards with a visible rhythmic reveal line between them a matte charcoal black stain that reveals real wood grain and texture rather than a flat painted or plastic finish both volumes have a flat roof with a thin crisp black fascia edge slightly overhanging the garden pavilion s roof carries a small decorative chimney vent box glazing in these black framed volumes is floor to ceiling with slim black steel mullions reading as genuinely transparent with soft accurate reflections of the sky trees and garden layered over a clearly visible interior sofas a dining table a fireplace never opaque or mirror like the pool reflecting basin the rectangular swimming pool or reflecting basin set into the pale stone terrace has deep dark near black water never a bright chemical blue or turquoise and never a flat opaque single color block its surface must behave as a subtle soft mirror gentle believable highlights and soft reflections of the sky and the surrounding greenery and architecture appear on the water legible but understated exactly like still dark toned pool water under daylight the pool has a clean dark stone or dark tiled lining and a pale stone coping edge that sits flush with the surrounding terrace paving the terrace and garden furniture the pale stone terrace paving is made of individually distinguishable large pale slabs with fine consistent joint lines furniture includes a round stone topped outdoor dining table with upholstered armchairs a grey upholstered outdoor sectional sofa and sun loungers all with realistic fabric and material texture and natural soft contact shadows the driveway the driveway and forecourt are paved in traditional cobblestone setts in warm buff grey tan natural fieldstone tones each stone is individually visible with its own slightly different size shape and tone and real surface wear but the joints between the individual stones are clean filled with fine sand or compacted earth only with absolutely no grass moss or weeds growing up between the setts themselves the planting mixed herbaceous borders throughout the garden combine dense drifts of purple flowering lavender and salvia white oxeye shasta daisies fine ornamental grasses and occasional reddish pink flowering perennials all with natural density movement and subtle color variation never a flat uniform mass clipped box balls buxus are used as accents along borders paths and the facade with dense individually distinguishable small leaves and a naturally slightly irregular clipped surface rather than a perfect geometric sphere a tall dense dark green clipped formal hedge runs along property boundaries with a crisp but not perfectly flat clipped face and top mature deciduous trees including large trees with fine feather like compound foliage and smaller multi stem trees with fresh green leaves and small white blossom clusters provide dappled natural shade across the lawn and driveway the lawn itself is a natural slightly varied green mown and well kept never a flat uniform artificial looking carpet match the overall lighting mood to the reference soft natural daylight bright sun with gentle true to life shadow transitions muted but true to life colors and authentic photographic characteristics natural lens falloff true contrast and color response no artificial glow or oversaturation shadows do not change the location of any existing shadow every shadow must fall exactly where it falls in the reference image and do not add any new shadow that is not already present a shadow s edge may be rendered softer and more naturally diffused for photographic realism but its position direction and overall shape must stay exactly the same extra emphasis for this image every tree must be present this reference image contains several distinct trees not just one and a previous generation of this image dropped some of them this must not happen again count them carefully before finishing 1 two large overlapping trees in the left foreground with compound feather like pinnate foliage their canopies spreading across the top of the frame 2 a tree glimpsed through the gap in the hedge near the entrance gate in the middle distance 3 a substantial round crowned tree standing directly in front of the main house facade its canopy partially overlapping the gable roofline 4 a smaller round crowned tree near the corner of the house beside the glazed extension on the right and 5 a further mass of background tree canopy visible above and behind the hedge on the left continuing into the distance all five of these tree elements must appear in the output each in its exact position size shape and species character as shown in the reference do not omit merge simplify or substitute any of them for foliage hedge mass or empty sky this view is otherwise dominated by the curving cobblestone driveway and the planting along it pay close attention to the dense naturalistic mixed border of lavender white daisies and ornamental grasses on both sides and to the individually distinguishable cobblestone setts underfoot the white kalei facade of the house is only glimpsed in the background here but must still follow the full master material style reference description above exactly describe and render every element precisely one by one the curving cobblestone driveway path traditional cobblestone setts in warm buff grey tan natural fieldstone tones each stone individually visible with its own slightly different size shape and tone and real surface wear joints are clean filled with fine sand or compacted earth only with no grass moss or weeds growing up between the setts tree 1 and tree 2 left foreground overlapping two large trees with compound feather like pinnate foliage standing close together at the left edge of the path their canopies spreading and overlapping across the top of the frame with dappled natural shadow falling across the path and border below both trunks and both canopies must be rendered these are two separate trees not one tree 3 near the gate a tree glimpsed through the gap in the hedge near the entrance gate in the middle distance partially screened by the hedge and gate structure tree 4 in front of the house a substantial round crowned tree standing directly in front of the main house facade its canopy partially overlapping the gable roofline with a clearly visible trunk rising from the lawn border tree 5 by the extension corner a smaller round crowned tree near the corner of the house beside the glazed extension on the right side of the frame background tree canopy a further mass of mature tree foliage visible above and behind the hedge on the left continuing into the distance along the boundary the mixed herbaceous border along both sides of the path dense drifts of purple flowering lavender and salvia white oxeye shasta daisies and fine ornamental grasses with natural density movement and subtle color variation never a flat uniform mass the clipped box balls buxus placed as accents along the border edge with dense individually distinguishable small leaves and a naturally slightly irregular clipped surface rather than a perfect geometric sphere the tall clipped formal hedge running along the left boundary dense dark green with a crisp but not perfectly flat clipped top and face the white farmhouse glimpsed in the background steep grey tiled gable roof a dormer window a dark stained timber garage door and a dark timber gate all rendered exactly per the master material style reference above the lawn and sky soft naturally mown lawn edges where visible and a softly clouded naturally photographic sky match the overall lighting mood to the reference soft natural daylight with gentle dappled shadow from the overhanging tree canopy falling across the cobblestones and border true to life muted colors and authentic photographic characteristics use physically based materials pbr throughout with realistic roughness subtle reflections and natural imperfections avoid the typical cgi appearance no plastic looking leaves or grass no artificial glow no mirror flat or opaque glazing no plastic looking leaves flowers or grass and no flat uniform or artificially clean cobblestone surface the final image should resemble a professional architectural landscape photograph captured with a high end full frame camera with natural exposure realistic dynamic range accurate white balance subtle depth of field and exceptional texture detail ultra photorealistic physically based rendering realistic global illumination authentic natural materials highly detailed vegetation true to life colors 8k detail professional photography quality absolute requirement design must not change and nothing may be added preserve the exact architecture geometry the cobblestone driveway s exact path and curvature the planting beds the hedge every tree all five distinct trees described above plus the background tree canopy none may be omitted and above all the round crowned tree directly in front of the house and the smaller tree beside the extension corner must both be clearly present the distant house and gate every existing shadow s exact position shape size direction proportions camera angle and composition shown in the reference image do not add remove move replace resize or redesign anything do not invent any new object or detail and do not add any new shadow the design is fixed and unchangeable everything stays exactly as it already is in the reference image only increase realism material quality lighting and photographic fidelity
