keep the exact same composition camera angle framing geometry and object placement as the input image do not move add or remove anything only enhance materials colours and lighting make it photorealistic like a professional interior photograph in soft cool neutral daylight from a window out of frame neutral to slightly cool white balance clean whites true to life colours oak solid oiled oak with a natural light honey tone and a soft matte finish with a very subtle low sheen clearly visible fine straight grain and natural variation between boards crisp edges and precise joinery not orange not red not glossy not varnished glass in the doors classic cathedral glass also known as hammered glass clear colourless glass with a large soft irregular dimpled surface rounded organic bumps of varying size roughly 2 to 4 cm across like gently rippling water frozen in glass translucent not transparent light from behind is refracted through each bump creating soft rounded highlights and gentle shadows cool neutral daylight tone steel fittings at top and bottom of the uprights brushed stainless steel with soft reflections walls smooth matte painted walls in a clean neutral off white even and calm with soft natural shadows behind the shelves ceiling matte white clean and even oak floor oiled oak boards in a natural light tone matching the shelves matte subtle grain no peach pink orange or salmon colour cast anywhere no warm tinted walls no oversaturated wood no grey ceiling no ribbed fluted or reeded glass no vertical lines in the glass no small speckles no frosted glass no smudged shadows on the wall no changes to composition
